Last week, we discovered the cooperative movie theater.
The cooperative concept is something dear to me, but I have never considered or encountered a movie theater operating under this business model. This particular venue has over five hundred and thirty co-owners. It runs by a team of eighty volunteers, the majority of whom are owners. To my knowledge, there is only one salaried worker, and that is the bartender.
Yes, there is a bar at this theater.
Last Tuesday was our first evening there. One of V’s co-workers, M, invited us to a show about the north coast of Germany. This is a film where the visuals did most of the speaking, so we decided it would be appropriate given our limited language comprehension. After purchasing our tickets, we each grabbed a half-liter beer that we were permitted to bring into the theater. I was completely excited. In my younger years, I had tried smoking joints before entering the cinema, but given the length of previews in the US, the majority of the high was gone before the movie even began. There was also the time I wound up sneaking beers into a movie, but the bottle clanking and associated nervousness made me vow to never attempt this again. Now I get to sit with a beautiful beer glass and drink openly with all of the other patrons? The novelty of this alone made me blissful.
I liken this facility somewhere between my hometown independent movie theater and the bookstore slash casual theater of my favorite fictional town. The auditorium is quiet small, with perhaps eight rows of normal theater seats, with just six to eight chairs per row. In front of these are two rows of leather couches. The row closest to the screen is a collection of beach-style chairs that lean back to save the customers from pain that stems from being too close to the screen. Before the film started, a volunteer (to whom V and I spoke before M arrived) introduced not only the feature, but also the two American transplants to the audience. The theater is definitely a comfortable, community space.
On Friday night, we decided to return. The location rarely shows English language films, but I really liked the vibe and I was curious if the bar hopped regardless of the cinema schedule. Plus, the bar is quite beautiful in that it is all wood with a large outside area. There was a good crowd of primarily middle-aged patrons. I was able to check out the bulletin board and noticed that musicians sometimes played. Sitting at the counter, V and I spent our time talking with the barkeep and a volunteer owner, J. J was amazing, sweet, and someone I would like to be. She professed her hate for having only one job, and is currently employed as a social worker helping the disabled in their homes and as a German language teacher at the local technical college. She invited us behind the scenes, where I promptly shushed V’s loud talking since a film appeared to be running. “Hey, it’s okay! We only have one today and he asked for an intermission smoke break,” the young, male projectionist told us in near perfect English. We meet the old projector, Emma, named after a children’s book train. Commenting on its durability, J said, “They don’t make them like this anymore. If they did, they would never sell any new ones.”
J and the young projectionist spend a bit of time lightly arguing about the value of Emma versus the new digital machines that the co-op is considering buying. We ask about the economic state of the theater, given that it is a Friday night and there is only one customer, “Sometimes there are shows like this. We always break even, but we could not do it without the volunteers.” I learned the Deutsch word for volunteer earlier in the evening as I asked J about opportunities: ehrenamtlich, a word with the root honor. As much as the English word volunteer suggests acting of one’s own volition, I know the concept is often tied up with the drudgery of requirements for high school students or corporate employees. Having honor directly in the word elevates the status nicely. “Alright, paying customer is back!” the projectionist remarked, shooing us away so the lone patron could get his money’s worth.